ARTS in Skelleftea Sweden

Posted on March 29, 2016September 3, 2018 by artsmedlefors

Our purpose for the activity in Sweden were to show how we work with Alternative Routes To Success in Sweden and Medlefors Folkhighschool.

We want to share some of the material that we have with you. Read below or download as documents.

Swedish folkbildning -or- download as pdf
Swedish FolkHighschool -or- download as pdf
A study circle – download as pdf
ABF is Sweden – download as pdf
Presentation PULS – download as pdf

Swedish workshop

Folkbildning in Sweden

Swedish folkbildning is the collective name for the activities conducted by the country’s folk high schools and study associations in the form of courses, study circles and cultural
activities. Folkbildning is a part of the liberal non-formal educational system. Every year, several million Swedes participate in folkbildning activities.

Folkbildning – for lifelong learning

People want to learn and develop in many different contexts in all phases of life. Swedish folkbildning meets this need – and thereby contributes to societal development and growth. But folkbildning also has an intrinsic value because well-informed and active citizens constitute the core of democracy.

Folkbildning is open to everyone in society. In folkbildning, everyone participates on equal terms, but based on different conditions.

People seek knowledge and development through folkbildning for various reasons. All of these reasons are meaningful – regardless of whether it is a question of personal development, increasing the chances of finding a new job, or simply a desire to learn.

In study associations and folk high schools, opportunities of lifelong learning are provided through a rich offering of courses and educational programmes – everything from study
circles where a small group meets a few times in their leisure time, up to multi-year, full-time courses of study at folk high schools.

Concept of folkbildning

Folkbildning grew forth at the beginning of the last century in a Sweden where the level of education was low and large groups of the population were excluded from higher education. Folkbildning became the answer to people’s longing for knowledge and desire to influence societal development.

Folkbildning is still borne by the idea of a society with small educational rifts. There are always people, who for various reasons need alternatives to the formal educational system.
Here, folk high schools and study associations have their most important mission, based on the fundamental right of all citizens to knowledge and development.

Folkbildning is a part of the liberal non-formal education sector and is free from detailed national control. This freedom, like the strong ties to the non-profit sector, makes folkbildning a force of societal change.

The ideas of folkbildning are noticeable not least in its practical activities, through dynamic interaction with the participants. Folkbildning has the following characteristics:

It is always voluntary for the individual to participate in folkbildning.
The participants have considerable opportunities to influence the content of the activities.
Folkbildning is characterised by an environment in which learning and social interaction go hand in hand. The circumstances and experiences of every participant are taken into account.
Folkbildning contributes to strengthening civil society through close co-operation with volunteer organisations, associations and various types of networks.

10 study associations

In Sweden there are currently 10 study associations to which the Swedish National Council of Adult Education distributes grants. The study associations have different profiles and emphases in their activities. There are close connections between the study associations and the Swedish popular movements, such as disabled, immigrant or environmental organisations. The study associations are located throughout Sweden.

The study circle is the most important form of study in the study associations. In the study circle, a small group meets to learn together based on a plan of study and with a study circle leader. There are study circles in hundreds of different subjects. Some have a more theoretical emphasis, such as language, history and studies in current social issues. Others are more practically oriented, such as dance, woodworking, instrumental music and so forth.

The study associations are also Sweden’s largest arranger of cultural events. By arranging cultural events and lectures, the study associations contribute to a rich cultural life throughout the country.

150 folk high schools

Sweden’s current 150 folk high schools are spread throughout the country. Folk high schools offer courses for adults from the age of 18. Many folk high schools are run by popular
movements, such as organisations within the workers’, temperance or Free Church movements. Others are operated by county councils or regions. The schools have different
profiles and emphases in their activities. The folk high schools are not guided by national curricula, but instead are free to shape their activities on their own.

The length of the courses varies from a few days up to several years. The long-term courses are generally 1-3 years, some of which can provide knowledge equivalent to upper secondary school and thereby also qualify participants for university studies. Many long-term courses have a special emphasis – music, media, keep-fit measures, tourism and so forth. A few are vocational, such as the youth recreation leader and journalist training programmes. Short courses are offered in a number of different subjects and emphases.

Tuition at folk high schools is characterised by process-oriented pedagogy, in which active participation by the students is emphasized, such as in the form of theme and project work in small groups. Many adults apply to folk high schools and therefore considerable weight is placed on taking advantage of their previous experiences and using their needs as a basis of
tuition.

Many folk high schools are boarding schools, which allow students to live at the school during the course. Tuition is free-of-charge and students can apply for financial aid for their
studies.

Public support for folkbildning

Swedish folkbildning is largely financed through funding grants from the state, county councils and municipalities. There is a broad political consensus that the state should provide
economic support to folkbildning.

The Riksdag (Swedish Parliament) has established overall objectives for the activities. They can be summarised such that the activities of folkbildning shall:

strengthen and develop democracy,
make it possible for people to influence their life situation and create participative involvement in societal development,
bridge educational gaps and raise the level of education and cultural awareness in society,
broaden the interest for and increase participation in cultural life.

Based on these objectives, the study associations and folk high schools are free to shape thegoals of the activities on their own.

In 2006, a unanimous Riksdag decided on the folkbildning policy of the future. Seven activity areas were emphasized as motives for state support of folk high schools and study
associations. This applies to efforts to protect society’s common fundamental values, the challenges of a multicultural society and the demographic challenge of increasing numbers of elderly, and where the possibilities of life-long learning must be maintained. Furthermore, the importance of cultural activities is emphasized, as well as the significance of reaching people with disabilities. Lastly, support for folkbildning is motivated by the meaningful efforts in public health and for sustainable development and global justice, pursued in the study associations and folk high schools.

The Swedish National Council of Adult Education

The Swedish National Council of Adult Education has been charged by the Government and Riksdag of Sweden to distribute the national grants to folk high schools and study
associations. Furthermore, the council shall follow up and evaluate the activities of folkbildning.

The Swedish National Council of Adult Education has three members, all of which have close ties to study associations and folk high schools. These are:

The Swedish National Federation of Study Associations – an interest association for the study associations.
The Interest Organisation of Popular Movement Folk High Schools, RIO – which gathers the folk high schools operated by popular movements and other organisations.
The Swedish Association of Local Authorities and Regions, SKL – which represents the folk high schools operated by county councils and regions.

Current figures on folkbildning (2008)

Every year, the study associations arrange:

Approximately 285,000 study circles with a total of almost 2 million participants
Approximately 250,000 cultural programmes with more than 15 million participants

Every term, the folk high schools have:

Approximately 26,500 participants in extended courses
Approximately 80,000 participants in short courses

Public grants to folk high schools and study associations in 2008:

From the state: approximately EUR 328,565,000
From county councils: approximately EUR 82,496,000
From municipalities: approximately EUR 42,517,000

Swedish Folkhighschool

Swedish Folk High School

A part in the swedish education system
154 Folk high schools in Sweden
As an adult you can catch up elementary school, Upper secondary school and qualify for higher education
The education is based on the students’ needs, previous knowledge and experience
Independent
Free of charge
18 year old and more
General Courses
Special Courses
Vocational Courses

Medlefors Folk High School

Folk high school courses since 1949
Today around 60 employees
Owners; the association of Norrlands labour movement
About 300 students on long term courses
General Courses
Profile: Health, wellness and Working environment
Special Courses
Lifelong learning – senior students (< age of 65)
Short courses eg. for members of the trade unions
Summer courses

Download: Swedish Folkhighschool as a pdf document (presentation)

5 objects in a bag – a workshop with Headway Arts’ Creative Director Allie Walton-Robson

Posted on March 21, 2016September 3, 2018 by Headway Arts

5 Objects in a Bag – A workshop with Headway Arts’ Creative Director Allie Walton-Robson in Skelefteå, Sweden.

Aims:

To begin:

to develop and explore creative processes with 5 objects used as stimulus.
to find ways of communicating and sharing ideas.
intercultural dialogue through the project.
break the ice and build trust within the project team.

Method:

I asked the group to sit on chairs in a circle – a practical arrangement that we like to work in at Headway Arts. We can all see and hear each other, there is no end or beginning, no one is at the front or back, higher or lower. We are all at the same level physically and in equality.

Each country was asked to bring along 5 identical objects. We placed them ceremoniously in the centre of the circle. The objects looked beautiful. The UK brought 5 handmade bags.

I then invited a volunteer to begin the process of exploring the objects considering all five senses. I encouraged the volunteer to use whichever manner they preferred, maybe or maybe not using words but showing and sharing thoughts with the rest of group in some way. Happily, Fernando from Spain kindly volunteered to begin (a much appreciated thank you!) and so the group began the sensory process of exploring the objects and sharing the personal meanings they provoke.

I asked the rest of the group to observe carefully and respectfully, which they did. The volunteer was given as much time as they wanted for their sensory exploration and then were thanked for their ideas and asked to choose someone else in the circle to pass the object onto. This carried on until everyone in the group had joined in. Some people considered the object offered to them while others swapped it for another from the centre.

When it was Fran’s turn, she deliberately went outside the circle* to find another object (a glass) to illustrate that we must expect the unexpected in our work.

I deliberately asked people not to describe the objects that they had brought along. This allowed everyone to respond and make up their own minds about the objects without being influenced by prior knowledge. (Partners: You may like to add descriptions to this blog now so we can find out the actual stories behind those lovely things?)

In the workshop, people chose to use mainly non – verbal expression: gesture, movement, action, mime. I was very happy to see this naturally happen as it supported those within the group whose first language is not English. As a result, we began to find ways to communicate with each other in a very human way.

Ideally we should have had much more time to explore the objects properly. At the end of the workshop each country chose a bag and placed their objects inside. They then took these away to begin working with them in their own groups.

Evaluation

Q1: what are we learning?

At the end of the session I asked the group to identify what skills they thought they had been using:

Some of the responses were: imagination, discussion, team work, listening and answering, listening to information, communications, working through a process, creative thinking, giving and receiving, taking instructions.

Q2: What conditions need to be put in place for people to progress in their learning?

Some of my notes include:

Time – when working with another group I would have had more time and would have slowed down the process.
Records – usually I would have taken written notes of everyone’s ideas to remind me what everyone did to ensure that nothing was missed and could be returned to in a future session.
Openness to questions – People felt more comfortable performing the task when they were able to check things with questions.

Q3: What can we do to help the learner recognise what they have learned?

Q4: How can we best apply what we are learning to our organisation?

Through sharing: I am sharing this document on the blog so it can be read by others and discussing it within the organisation particularly with others who could not attend the mobility. It will also be available online to external viewers.

What are the next steps?

The next step is to start a process of creating something new within our own organisations using the ‘bag’ as a stimulus. These can be shown/shared and discussed at our next mobility in Ferrara.

We should look at how we can best organise and interpret the creative ideas that come from the process.

While we are involved in the creative process with our own learners, do keep looking back at the 4 evaluation questions above.

The story continues in Ferrara…good luck!

First ARTS Learning Activity in Skelleftea

Posted on March 16, 2016September 3, 2018 by Headway Arts

What did we learn from Medlefors Folkhogskola?

During the first transnational visit to Sweden, Medlefors Folkhogskola introduced us to the unique way they work with their students.

Johanna, a student guidance councillor, began by explaining Medlefors attitude to learning: ‘come as you are, go as you like and leave satisfied.’ She also introduced learners to the concept of ‘folkbinding’- liberal adult education in Sweden which allows lifelong learning for everyone irrespective of age or background. Participation is voluntary meaning that people have the ability to influence their own learning journey and make choices which can benefit them directly. It will be interesting to see how different education systems in partner countries affect what we are able to offer disadvantaged groups.

We learned the types of support that Medlefors offers students. Student guidance councillors, such as Johanna, establish the first point of contact with a student and arrange meetings where they can get to know students and their specific needs. Johanna then feeds this information back to the rest of the staff at Medlefors, in particular to Special Needs Teacher who plans students’ learning journeys, making adjustments where necessary to create an individual, unique schedule for each person.

ARTS learners were introduced the unique style in which students learn at Medlefors. Many students arrive at Medlefors having made little progress in the traditional education system in Sweden. Firstly, there was a huge emphasis on study aids including audio books, I-pads and Claro read. Students are particularly encouraged to learn using their senses, particularly using Dunnock Dunn’s and Larstil Smodell’s models of learning.

It became clear that using perception and senses at Medlefors is paramount and learners were invited to a lesson with Special Needs teacher Maria to try this out for themselves. Learners listened to Maria reading an extract from a novel and were asked to draw or paint whatever images came to mind. Some amazing images came out of working in this way. Likewise learners were then put into groups and asked to listen to songs from the film version of the same novel. They were then asked to write down how the songs made the learners feel with each individual feeling/emotion written down on strips of paper. These were collected and redistributed amongst each group who then put them together into a poem or pattern. This use of creativity allows everyone to express themselves and is a good introductory exercise for disadvantaged people learning to express themselves within a group.

A unique programme at Medlefors is ‘PULS’ which stands for ‘personal progression and lifestyle’. Students can choose from activities which increase motivation, relieve stress and improve communication skills as part of their weekly school timetable. Activities on offer include yoga, relaxation, physical exercise, cooking, study techniques and self-reflection (setting goals, evaluation etc.). The PULS programme ultimately allows students to express their feelings and opinions and put things into context in alternative ways.

We also learned the Study Circle technique, which is very popular in Sweden particularly with Arbetarnas Bildningsforbund (ABF), one of the owners of Medlefors. The Study Circle technique is a democratic learning environment where the leader is an equal member of the group. No special training is required to be a leader. Courses can be on any topic with the emphasis being on learning, discussion and creating together. We had opportunity to investigate the Study Circle through practical workshops and can now look at how we use what we have learned with our own groups.

A.R.T.S

A.R.T.S Evaluation Toolkit

Month: March 2016